Research Paper the Maltese Falcon: Existentialism Essay

Dashiell Hammett, father of the American hard-bubbled classification, is generally known for creating a stifling universe of authenticity in his works (â€Å"Hard-bubbled fiction†). As indicated by Paul Abraham’s â€Å"On re-perusing The Maltese Falcon,† the sensible environment of Hammett’s third novel is reactionary to the post-war disturbance in which the work was conceived (97). This gives the perfect establishment to unobtrusive philosophical ideas of existentialism, for example, journeys for truth, self recognizable proof, and the hugeness of presence to work all through the novel. Richard Layman, in his basic audit of Hammett’s tale (likewise titled The Maltese Falcon), suggests that the methods of reasoning of Hammett’s age can be found inside the content of his novel (71). Hammett passes on an existential subject in his work The Maltese Falcon through his utilization of topics of request and self consumed characters just as his Flitcraft story. Existentialism, in a straightforward structure, is a way of thinking concerning presence and its essentialness. Layman declares that â€Å"[existentialism] had its foundations in the mid-nineteenth century and prospered in the United States from the 1930s until the 1960s† (71). As per the web-article â€Å"World War I† from the New World Encyclopedia, ensuing to the Great War, â€Å"the positive thinking for world tranquility of the 1900s was totally gone. † Therefore, without the blinders of social positive thinking, American culture could address thoughts, for example, the event of mass obliteration in a â€Å"just† world and the hugeness of presence in such a world. Hammett’s firsthand involvement in the existential crisisâ€caused by what the authentic setting from the site â€Å"The Maltese Falcon† presents as worldwide wars, the Great Depression, and different battles of the 1930sâ€leads Hammett to utilize various strategies all through his work, giving unpretentious implications to existentialism. One technique through which Hammett passes on existentialistic thought is through his subjects of request in The Maltese Falcon. The plot is focused on the ceaseless journey for a loved iconâ€the Maltese hawk, a valuable bejeweled winged animal. Hammett fuses a clerical topic through this quest for a symbol. The mission for their symbol at last prompts the death of the characters associated with its hunt. It takes the personality and climatically the life of the horde supervisor Gutman. Brigid, the femme fatale, additionally loses in this interest, for she is left to the kindness of the law in the last pages. Regardless of whether passing or detainment torment the characters in question, the mission for a symbol devours their lives. Hammett enlightens the adverse outcomes of such missions through the previously mentioned loss of personality, life, and opportunity. This message is countered by the existentialistic denouncement everything being equal. Existentialism gives a straightforward answer for such worthless missions: lives are not squandered in the pursuit of a symbol. In quest for a valuable symbol, all characters lose themselvesâ€a base of the existentialist emergency: loss of self, doubting of presence (â€Å"Existentialism†). Another topic of request in Hammett’s tale manages the consistent quest for reality. Spade, the hero, is tormented by the vagueness of truth all through the novel. Spade is compelled to perceive lies from reality inside the main pages of the novel, where he meets Brigid, or rather â€Å"Miss Wonderly† as she is named upon essential presentation. Brigid, famous for her tricky ways, admits to Spade, when a contributed relationship is set up between the two: â€Å"I am a liar. I have consistently been a liar† (353). Layman sees that â€Å"the challenge for Spade in the book is to make up the standards as he comes; to choose for himself, without outside direction, what he accepts and what he accepts in† (71). These choices shape Spade’s activities and help to characterize his character. Spade, concerning himself â€Å"with the mission for importance and authenticity,† as David Pickus writes in his uncover on existentialism, isn't the main character associated with the quest for truth (17). Brigid, Gutman, Cairo, and Wilmer are compelled to grapple with the journey for truth and validness when it is found their bird of prey is a negligible manufacture of the genuine Maltese hawk. Subsequent to shaving the dark veneer from the base of the bird of prey Gutman shouts â€Å"it’s a phony. † Gutman responds with his â€Å"breath [hissing] between his teeth† and â€Å"his face [becoming] bloated with hot blood† (430). This is illustrative of the resentment Gutman has upon the acknowledgment of this on-going quest for validness. Another strategy where Hammett reveals existentialistic hints is through his self-consumed characters. Layman expounds on Spade: â€Å"He is characterizing what his identity is. That is the least difficult articulation of the way of thinking of existentialism†¦Ã¢â‚¬  (71). Spade depends entirely on himself and regularly extends the hands of the law. He sabotages the police so as to forestall impedance inside his examinations, reviling their position. For instance, when Dundy, a cop tells Spade, â€Å"You’ve pulled off this and you’ve pulled off that, however you can’t keep it up until the end of time. † Spade apathetically answers: â€Å"Stop me when you can† (341). The article from the Philosophy site, titled â€Å"Existentialism† states that â€Å"an existentialist accepts that an individual ought to be compelled to pick and be dependable without the assistance of laws, ethnic principles, or customs. † Spade typifies this thought with his activities all through the novel. Brigid is another character who doesn't work inside the domain of laws and rules; notwithstanding, she is a less dependable character than Spade. Brigid’s endeavors are put into self-conservation. She persistently battles to remain one stride in front of everybody through making a trap of untruths, which at last turns into a characterizing component of her character. Her trickery and fixation on getting her wants without worry for result or notoriety exhibits her loss of self in quest for something useless; she turns out to be simply a wanton lady with no evident character. Notwithstanding his portrayal, Hammett additionally uses the Flitcraft story as a methods for passing on existentialistic thought. Martin Harris composes: â€Å"The Flitcraft illustration has been inspected intently by the individuals who see the story giving a significant key to Hammett’s emotions about the importance (or scarcity in that department) of human existence† (241). The Flitcraft anecdote recounts to the account of a man who totally completely changed himself in outcome of one arbitrary occasion. Flitcraft, a fulfilled family man, experienced a brush with death through a development bar falling into his way. This occasion caused him to think about the irregularity of lifeâ€there are no surenesses. Spade tells Brigid: â€Å"[Flitcraft] felt like someone had taken the top off life and let him take a gander at the works† (335). Flitcraft comprehended the vulnerability of life after this experience. With this revelation Flitcraft started another life; he took the haphazardness of life and fused it into his reality. Mindful of mortality and the hugeness of one’s character, Flitcraft presented himself to a substitute life. While Flitcraft at last wound up settling over into his earlier way of life, the glimmer of his brush with death allowed him to delight in existentialism, for as indicated by the web-article â€Å"Existentialism† the hunt of self-being is a central component of the existential way of thinking. Regardless of whether it is through different topics, characters, or an all around put account, the undercurrents of existentialism exist inside the pages of Hammett’s tale. Hammett adequately joined subjects from his period into his writing. In a period where the â€Å"spirit of positive thinking in the public arena was destroyed,† Hammett recognized authenticity inside the content of his craft (â€Å"Existentialism†). While existentialism no longer has an inebriating hang on present day society, it lives in the pages of persuasive creators. The Maltese Falcon’s inconspicuous prompts to such extraordinary philosophical thoughts aid the importance that Hammett’s works hold right up 'til today. Works Cited Abrahams, Paul P. â€Å"On re-perusing The Maltese Falcon. † Journal of American Culture 18. 1 (1995): 97-107. Scholastic Search Premier. EBSCO. Web. 15 July 2010. Dooley, Dennis. Dashiell Hammett. New York: F. Ungar Pub. , 1984. Print. â€Å"Existentialism. † Philosophy. AllAboutPhilosophy. organization, 2010. Web. 01 Aug. 2010. . Hammett, Dashiell. The Novels of Dashiell Hammett. New York: Alfred A. Knopf, 1965. Print. â€Å"Hard-bubbled Fiction. † Encyclop? dia Britannica, 2010. Web. 30 July 2010. . Harris, Martin. â€Å"Hammett’s Flitcraft Parable, The Stepfather, and the Significance of Falling Beams. † Literature Film Quarterly 34. 3 (2006): 240-248. MLA International Bibliography. EBSCO. Web. 15 July 2010. Layman, Richard. The Maltese Falcon. Detroit: Gale Group, 2000. Print. â€Å"The Maltese Falcon. † The Big Read. National Endowment for the Arts, 2010. Web. 16 July 2010. . Metress, Christopher, ed. The Critical Response to Dashiell Hammett. Westport, CT: Greenwood, 1994. Print. Pickus, David. â€Å"Paperback Authenticity: Walter Kaufmann and Existentialism. † Philosophy and Literature 34. 1 (2010): 17-31. Philosopher’s Index. EBSCO. Web. 31 July 2010. â€Å"World War I. † New World Encyclopedia. 09 May 2008. Web. 06 Aug. 2010.

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